One of the common things you hear said about science fiction
is that it's about "predicting the future."
It's true that science fiction has predicted a lot of
things. Here are a few examples:
1. By an amazing guess Jonathan Swift, in Gulliver's
travels, tells us that Mars has two moons. He even got the orbital periods
right...
2. In From The Earth To The Moon, Jules Verne put a major
launch site in Florida, the location of current Cape Canaveral. Because of the
earth's spin, it's safest to launch rockets on an east coast (or on the west
side of a poorly inhabited desert, which was the Soviet choice) - so this is a
fair prediction, even though he thought we would be firing space capsules out
of giant guns. Then again, rail guns are a potential idea for the future.
3. H.G. Wells put
giant, armored, wheeled war machines on land in 1903. The first tanks were
deployed in 1916.
4. In 1911, Hugo Gernsback had a character use a video phone
in his serial Ralph 124c 41+. The first video phone showed up in 1964, although
we now use computers and tablets more than phones for video talk - the larger
screens help.
5. And in 1945, Arthur C. Clarke predicted geosynchronous
communications satellites being used for television. Before broadcast
television existed.
So, is the purpose of science fiction to predict the future?
Not really. Trying to predict the future is fun, but not all science fiction is
about it. And some science fiction, of course, predicts a future none of us
would want to see. Dystopian fiction is extremely popular right now, most
recently with The Hunger Games and Divergent, but older classes such as Brave
New World enjoy some popularity. And apocalyptic fiction is a sub-genre with
some staying power - books such as Ill Wind (Kevin J Anderson and Doug Beason),
Wool (Hugh Howey) vie with classics such as Lucifer's Hammer (Jerry Pournelle
and Larry Niven) and A Canticle for Liebowitz (Walter M. Miller, Jr.). All of
these are still science fiction, but they aren't predicting a future we should
work towards. In some cases, they may warn us of one we should avoid.
If it's not predicting the future, then why write science
fiction? What, other than entertainment, is its purpose?
I'm going to put forward a different hypothesis. As editor
of Analog, Stanley Schmidt defined science fiction in 1999 as "fiction in
which some element of speculation plays such an essential and integral role
that it can't be removed without making the story collapse, and in which the
author has made a reasonable effort to make the speculative element as
plausible as possible." So, what's a speculative element?
It's simply a "what if." What if you could build a
submarine and thus become self sufficient? (Jules Verne's 20,000 Leagues Under
The Sea). What if a giant asteroid hit the earth? (Lucifer's Hammer). What if a
plague turned most of the population into zombie-like animals? (My own recent
release The Silent Years).
So, the purpose of science fiction, by that definition,
would be to postulate a "what if" and then answer it. Nothing more,
nothing less.
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